This posting is inspired by our incoming celebration of Filipino-American History Month here at THD. I was requested by our Director of Residents Experience,
Laura Gaither, if I could set a small table Display at our Lobby of anything that reminds me of the Philippines- I decided I will display, a miniature jeepney, some wood carvings and Miniature Nipa Hut art in a Bottle, that had been in my personal collection for several decades.
A Jeepney is the most popular public utility vehicle and a vibrant cultural icon in the Philippines, famous for its crowded side-bench seating and bright, kitsch artwork.
Origins and History
- Post-WWII Beginnings: Jeepneys started after World War II when enterprising Filipinos repurposed surplus U.S. military Willys and Ford jeeps left behind in the country.
- Reconstruction: Mechanics stretched the frames, added roofs, and installed long parallel benches in the back to turn two-seater military vehicles into shared passenger transport.
- Cultural Symbol: Drivers decorated their vehicles with vibrant paint, chrome accents, religious icons, and pop-culture references, creating a distinct movement known as "Jeepney art".
Design and Ride Experience
- Seating: Passengers sit shoulder-to-shoulder on two long parallel benches facing each other inside the rear cabin.
- Fares: Fares are cheap and distance-based, paid by passing cash forward to the driver along with a polite shout of "Bayad po!" (Here is my payment).
- Operation: They run along fixed routes like regular buses, but passengers can flag them down and disembark almost anywhere along the designated path.
Modernization and Current Issues
- Phase-Out Efforts: The Philippine government pushes a Public Utility Vehicle Modernization Program (PUVMP) to replace older, highly polluting traditional diesel jeepneys with safer, eco-friendly minibuses.
- Controversy: Transport groups frequently stage strikes and protests because traditional drivers and operators struggle with the high cost of acquiring modern replacement vehicles.
- Parts of My Wood Art Collection from the Philippines
- Major Traditions and Regional Styles
- The Cordillera Region (Luzon): Indigenous groups like the Ifugao carve the famous bul-ul(granary gods that protect rice crops) and ancestral figures from dense hardwoods and fern wood.
- Paete, Laguna: Known as the "Woodcarving Capital of the Philippines," this town specializes in fine religious statues, saints, and taka (paper-mache).
- Guagua, Pampanga: Famed for intricate church altars, retablos, and traditional furniture
- Southern Philippines: The Maranao and Maguindanao peoples craft ornate, non-figural okir (or okkil) geometric and flowing plant motifs.
Commonly Used Materials- Batikuling: A native softwood preferred by carvers in Paete for religious figures because it resists termites and is easy to shape.
- Hardwoods: Traditionally prized woods include Narra (the national tree), Molave, and Kamagong.
- Sustainable Alternatives: Due to strict logging regulations protecting natural forests, modern carvers frequently utilize fast-growing acacia and plantation wood.
- My Photo of the Day: Philippine Art in the Bottle
It is Filipino miniature art - inside a clear glass bottle, a tiny world. Two Nipa huts, with its woven walls and palm-thatched roof. Two small palm trees swaying beside it. And right out front, a Filipino couple working together, building or tending their house. The artist even put a little sign on the hut that says "Philippines."

Finally, Here's my daughter, Ditas, new web site for her consulting work!- https://www.theditasgroup.com/?fbclid=IwY2xjawUqbMNleHRuA2FlbQIxMABwZG9mBWJyaWQRMWk2M3FPYUhrRXdVY09YUEVzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe8ZR5WpbdXOIPZ-tifaueMDjyeTkoWwmI7cUUXdr-NBncE1sXtyAvXptopm0_aem_v2Gf3yws0nJNbvxYk0HVog




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