What moved me most about the recent Wall Street Journal article was not the headline number $27.2 million for a single drawing of a foot, but the quiet reminder of how deeply art can travel across time, bloodlines, and memory.
A study of a foot by Michelangelo, rendered more than five centuries ago, became the most expensive drawing by the artist ever sold. The article described a tense 45-minute bidding war, culminating in a winning telephone bid. Somewhere, unseen, a voice on the other end of a line claimed a fragment of the Renaissance, a foot, yes, but also a testament to human observation, discipline, and reverence for the body.
The Journal noted that the second most expensive drawing by Michelangelo was a nude male figure. It sold in 2022 for S22.4 Million Dollars,
That detail matters. Michelangelo did not draw bodies casually; he studied them as architecture, as theology, as truth. A foot or a nude torso was never merely anatomy, it was devotion made visible.
Reading this, I felt something familiar stir. Paintings and drawings have always had a quiet but powerful presence in my family. My father understood art not simply as decoration, but as inheritance, something you pass down not because it is valuable, but because it teaches you how to see. Long before I had words for it, I learned that art was a way of paying attention: to light, to form, to feeling.
Now that lineage continues through my daughter, Ditas. https://chateaudumer.blogspot.com/2026/02/my-youngest-daughter-ditas-katague-and.html
Some of Ditas PaintingsWatching her relationship with art unfold has been one of the great privileges of my life. What moves me is not whether a piece hangs in a museum or sells at auction, but the way it anchors us to one another, to our past, and to something larger than ourselves.
That is why a drawing of a foot selling for $27.2 million does not strike me as absurd. It strikes me as honest. The price reflects not just rarity, but centuries of accumulated human longing, to touch genius, to preserve beauty, to say this mattered, and still matters.
Art outlives us. But more importantly, it connects us. From Michelangelo’s hand to a collector’s phone call, from my father’s sensibilities to my daughter’s creativity, the line remains unbroken. And in that continuity, I find comfort, meaning, and gratitude.
https://www.cnn.com/2026/02/06/style/michelangelo-foot-auction-intl-scli
- Subject: The small, red chalk sketch (around five inches tall) is a study for the foot of the Libyan Sibyl, a figure featured in the frescoes on the ceiling of the Sistine Chapel, which Michelangelo painted in the early 1500s.
- Discovery: The drawing was previously unrecorded and identified as an authentic Michelangelo study after its unsuspecting owner sent a photograph to Christie's online request portal.
- Rarity: It is one of only about ten known Michelangelo drawings still in private hands and the only unrecorded study for the Sistine Chapel ceiling to ever be presented at auction.
- Auction Details: A 45-minute bidding war took place before the final hammer price of $27.2 million was reached. The sale was part of Christie's "Old Master and British Drawings" auction



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