WELCOME TO CHATEAU DU MER BEACH RESORT

If this is your first time in my site, welcome! Chateau Du Mer is a beach house and a Conference Hall. The beach house could now accommodate 10 guests, six in the main floor and four in the first floor( air conditioned room). In addition, you can now reserve your vacation dates ahead and pay the rental fees via PayPal. I hope to see you soon in Marinduque- Home of the Morions and Heart of the Philippines. The photo above was taken during our first Garden Wedding ceremony at The Chateau Du Mer Gardens. I have also posted my favorite Filipino and American dishes and recipes in this site. Some of the photos and videos on this site, I do not own, but I have no intention on the infringement of your copyrights!

Marinduque Mainland from Tres Reyes Islands

Marinduque Mainland from Tres Reyes Islands
View of Marinduque Mainland from Tres Reyes Islands-Click on photo to link to Marinduque Awaits You

Saturday, December 6, 2025

My Reflection on My Husband’s Lover (2013) Filipino TV Series

My Husband’s Lover (2013)

My Husband’s Lover is one of the most groundbreaking LGBTQ+ series ever produced in the Philippines. The story revolves around Vincent, a married man who secretly rekindles a past romance with Eric, a man he once deeply loved. As his wife Lally begins to sense the truth, the series dives into a powerful blend of emotional conflict, heartbreak, and self-discovery.
What makes the show exceptional is its mature and compassionate portrayal of gay relationships—far from stereotypes, it presents real people with real struggles: identity, fear, love, and the pressure of societal expectations. Tom Rodriguez and Dennis Trillo deliver standout performances, bringing depth, vulnerability, and undeniable chemistry to their roles.
With strong writing and fearless storytelling, My Husband’s Lover became a landmark in Asian LGBTQ+ television—bold, emotional, and unforgettable.

Meanwhile, here's a more detailed write-up on Remembering My Husband’s Lover: A Bold Filipino Story That Stayed With Me

Every so often, a TV series resurfaces in my memory, not because it was loud or sensational, but because it touched something quiet and honest in me. My Husband’s Lover, the Filipino mini-series from 2013, is one of those rare shows. I watched it years ago, and even now, as I look back from a very different stage of life, I still remember how deeply I enjoyed it.

When it aired, the series was nothing short of groundbreaking. Philippine television, shaped by tradition, rarely ventured into LGBTQ-centered stories, certainly not with the sensitivity and courage this show displayed. Yet here was a primetime drama daring to portray a gay love story not as a punchline, not as a scandal, but as a fully human experience.

What struck me most was its tenderness. The relationship between the two male leads was portrayed with such quiet emotion, those gentle touches, the way they held each other’s faces, the unspoken fear and longing in their eyes. For many viewers, including myself, it felt like watching a door open into a more compassionate kind of storytelling. It was refreshing, sincere, and surprisingly intimate for its time.

But the series didn’t stop at romance. It explored the complicated fallout of secrecy, the weight of societal expectations, and the emotional storm that comes when truth, love, and tradition collide. The wife’s perspective was handled with genuine empathy. Her confusion, heartbreak, and resilience made the story not just a love triangle, but a portrait of three people trying their best to navigate lives shaped by silence and obligation.

As someone who has been blogging since 2009, I’ve written about countless shows, cultural moments, and personal reflections. Over the years, certain stories fade, but a few stay with me, reminders of who I was when I first watched them and what they made me feel. My Husband’s Lover belongs to that small list. It stood out not only because it was bold, but because it was compassionate. It dared to humanize what society often labels as taboo.

Revisiting it now, I’m reminded how good storytelling has a way of staying with us long after the credits roll. And maybe that’s why this old Filipino series still warms my memory today. It wasn’t simply entertainment, it was a quiet milestone, a reminder that love, in all its forms, deserves to be seen and told with dignity.

More than a decade later, it continues to remind me why I’ve kept blogging for so long: to celebrate stories that move us, challenge us, and remain with us long after we first encounter them.

Meanwhile, 
The most popular Filipino movie ever made is Hello, Love, Again (2024), which holds the record for the highest-grossing Filipino film of all time. It surpassed the previous record-holder, Rewind (2023), by earning ₱1.6 billion in worldwide gross. 
  • Hello, Love, Again (2024): This is the current highest-grossing Filipino film, having earned ₱1.6 billion worldwide.
  • Rewind (2023): Previously held the top spot with a worldwide gross of ₱924 million before being surpassed by Hello, Love, Again.
  • Hello, Love, Goodbye (2019): Before Rewind, this film also set box office records for the highest-grossing Filipino movie at the time. 

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